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The Hare

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UPC: 9781937512972
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Author: Melanie Finn

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  • Paperback: 320 pages
  • Publisher: Two Dollar Radio (January 26, 2021)
  • Language: English
  • ISBN-10: 1937512975
  • ISBN-13: 978-1937512972
  • Product Dimensions: 5.5 x 0.8 x 7.5 inches

The Hare is an affecting portrait of Rosie Monroe, of her resilience and personal transformation under the pin of the male gaze.

Raised to be obedient by a stern grandmother in a blue-collar town in Massachusetts, Rosie accepts a scholarship to art school in New York City in the 1980s. One morning at a museum, she meets a worldly man twenty years her senior, with access to the upper crust of New England society. Bennett is dashing, knows that “polo” refers only to ponies, teaches her which direction to spoon soup, and tells of exotic escapades with Truman Capote and Hunter S. Thompson. Soon, Rosie is living with him on a swanky estate on Connecticut’s Gold Coast, naively in sway to his moral ambivalence. A daughter — Miranda — is born, just as his current con goes awry forcing them to abscond in the middle of the night to the untamed wilderness of northern Vermont.

Almost immediately, Bennett abandons them in an uninsulated cabin without a car or cash for weeks at a time, so he can tend a teaching job that may or may not exist at an elite college. Rosie is forced to care for her young daughter alone, and to tackle the stubborn intricacies of the wood stove, snowshoe into town, hunt for wild game, and forage in the forest. As Rosie and Miranda’s life gradually begins to normalize, Bennett’s schemes turn malevolent, and Rosie must at last confront his twisted deceptions. Her actions have far-reaching and perilous consequences.

An astounding new literary thriller from a celebrated author at the height of her storytelling prowess, The Hare bravely considers a woman’s inherent sense of obligation – sexual and emotional – to the male hierarchy, and deserves to be part of our conversation as we reckon with #MeToo and the Brett Kavanaugh Supreme Court confirmation hearing. Rosie Monroe emerges as an authentic, tarnished feminist heroine.

View author Melanie Finn discussing how The Hare came to be written, with editor/publisher Eric Obenauf:


Reviews

"A beautiful and powerful book—literature that reads like a thriller. It follows the arc of a woman's life and how it was shaped for better or worse by the awful men that surrounded her. It tackles big issues in an original way."
—Alana Haley, Schuler Books (Grand Rapids and Okemos, Michigan)

"With The Hare, Melanie Finn has written a powerful story of female perseverance, strength, and resilience. This book has rare qualities: beautiful writing while being absolutely unputdownable, and I will be pressing it into the hands of every reader I know."
—Claire Fuller, author of Our Endless Numbered Days, Swimming Lessons, Bitter Orange, and Unsettled Ground

"The Hare begins in dread, with a speeding car, and an older man and young naïve woman heading into the darkness. Nothing good can come of this, you think, but Melanie Finn surprises again and again. As harrowing as the novel is, page by page, the prose is luminous as it follows Rosie’s survival in the danger and beauty of the far north. The Hare is a brilliant, unflinching tale of gender, power, and entrapment."
—Maria Hummel, author of Still Lives, Motherland, House and Fire

More coming soon!


Praise for Melanie Finn's The Underneath:

"Finn does an excellent job of keeping the reader guessing, and the tension in the narrative always comes across as organic, never manipulative. The Underneath is an excellent thriller, and Finn has a gift for prose that's hard-boiled but not clichéd. Perhaps most important, her characters are true to life... There's much to admire about The Underneath, and Finn's third novel proves that she's deeply original, a writer who's not content with rehashing old tropes that have become overly familiar in some thrillers."
—Michael Schaub, Star Tribune

"A musk of sex and menace soaks three narrative strands, expertly braided... Finn writes with a phrasing flare on par with Lauren Groff’s... Her curiosity and dread drive the novel and move her toward a terrifying denouement... Finn puts her readers on the knife’s edge."
Kirkus Reviews, starred

READ MORE ON THE UNDERNEATH PAGE.


Praise for Melanie Finn's The Gloaming:

"Deeply satisfying. Finn is a remarkably confident and supple storyteller. [The Gloaming] deserves major attention."
—John Williams, New York Times

"In this richly textured, intricately plotted novel, [Finn] assures us that heartbreak has the same shape everywhere. The Gloaming is chillingly cinematic in contrasting East Africa’s exquisite landscape with the region’s human needs. Yet even in a malevolent setting, Finn shows us acts of selflessness and redemption. Her fascination with the duality of Africa — “the most honest place on earth” — shines fiercely."
—Lisa Zeidner, New York Times Book Review, Editors' Choice

READ MORE ON THE GLOAMING PAGE.


Author


Melanie Finn, author of Away From You (2004), The Gloaming (2016), The Underneath (2018), and The Hare (2021), was born and raised in Kenya and the US. The Gloaming was a New York Times Notable Book of 2016, a finalist for the Vermont Book Award and The Guardian’s “Not the Booker” Prize. The writer and producer of the DisneyNature wildlife epic Crimson Wing: Mystery of the Flamingos, she is also the co-founder and director of the Tanzanian-based charity Natron Healthcare. She and her family live on a remote hill in the Northeast Kingdom of Vermont.


Sneak Peek

Coming soon!


info

FORMAT: Paperback, gatefold
LIST PRICE: $16.99
PAGES: 320
PRINT ISBN: 9781937512972
DIGITAL ISBN: 978-1-937512-98-9
RELEASE DATE: 1/26/2021
SIZE: 5.5" x 7.5"

Printed in Canada by Marquis, with the following environmental statement:
*Printed on Rolland Enviro. This paper contains 100% post-consumer fiber, is manufactured using renewable energy - Biogas and processed chlorine free.
*FSC certified paper (inside and cover).

Paper Rolland Enviro icons


Guide

Click here to view and/or download The Hare guide as a PDF.

Book Club and Reader Guide: Questions and Topics for Discussion
1. In what ways is the title fitting?

2. Gran’s theory of “Fate” is continually mentioned throughout the book. What is it, and what effect did this philosophy have on Rosie’s life and her decisions? Do you think Rosie held the same belief of Fate throughout her life? Why or why not?

3. We see Rosie being relentlessly plagued by the symptoms of menopause later in her life. What effect did the constant reminder of her physical discomfort have on you as the reader?

4. With Rosie, we see a juxtaposition of violence against animals with violence against humans. Talk about the instances of violence that involve Rosie, and compare how they are similar and different. Are they all in the name of survival, from Rosie’s point of view? Do you think violence is ever justifiable?

5. Five years have passed at the start of the section “The Cemetery, 1991,” which opens with the line:
“... Rosie paid attention, for animals always took the way of least resistance.”
What role do animals play in this novel? How did being in the rural, natural landscape of Vermont shape Rosie? Why do you think the dog Hook received her own section in the book?

6. Discuss how the main character’s name evolves. When and why do you think this happens? What effect do you think a change of name had on Rosie? What other characters change their names and why?

7. Rosie is haunted by the interactions she had with “The Giggle Man” during her childhood. What effect did this have on her? How do you think this experience of Rosie’s fits in with the other instances of violence against women and children that occur in the novel? The author has stated she was in part inspired by the Supreme Court confirmation hearing of Brett Kavanaugh, when Dr. Christine Blasey Ford alleged that Kavanaugh had sexually assaulted her some 36 years earlier: How does Ford’s experience tie in with the themes of The Hare?

8. Would you consider this a feminist novel? What are the various ways that women’s lives are depicted at various ages? How does this novel explore the idea of womanhood?

9. Although Rosie is an art student, it’s not until she sees The Hunt of the Unicorn (the unicorn tapestries at The Cloisters), the work of Umberto Boccioni at MoMA, and Jan van Eyck’s fictional painting (which brings to mind his Portrait of Giovanni Arnolfini and his Wife 1434) in Hobie’s personal collection, that we see her having a visceral reaction to art. Why do you think these particular pieces moved her?

10. Social class and classism — in America and throughout history, such as “droit de seigneur,” “serfs and the nobility” — are continually explored throughout the novel. What were some of Rosie’s experiences with classism from childhood to adulthood?

11. There are multiple instances of Rosie stealing money. From whom did she steal, and what are the various things she did with the money? Do you think she was wrong or right in these instances?

12. What do you think about Rosie’s reaction when, after decades have passed, she is reunited with her teenage boyfriend? Why do you think she reacts this way, and do you think her reaction is fair? In what ways is Rosie’s reaction related to how she feels about herself and her own life?

13. Discuss the instances where we see Rosie realizing how differently others viewed her, compared to how she viewed herself as a young woman. What are the differences? Do you think Rosie’s life would have turned out differently if she had thought of herself more like others had? What decisions do you think Rosie would have made differently?

14. Discuss the ending of the novel: were you surprised by Rosie’s actions? Did you expect a different ending? What do you imagine will happen next for each of the characters?